Archive for the ‘1776’ Category
Streaming 1776 Online
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Streaming 1776 Online.
Movie Title: 1776 1776 is available for streaming or downloading. |
Every 4th of July I peer “1776,” the musical that has our Founding Fathers singing and dancing their blueprint to Independency, and every time John and Abagail Adams swear goodbye to each other (“Till Then” and “Yours, Yours, Yours”), I regain choked up. William Daniels has his role of a lifetime as John Adams, the scandalous and disliked Massachusetts delegate to the Continental Congress who is the most involved advocate of independence (“Piddle, Twiddle and Choose”) . Virginia Vestoff plays his wife Abigail, and their exchanges are based on the “Dearest Friend” correspondences they wrote to each other during the crucial summer of 1776. However, the most unforgettable performance in “1776″ comes from Howard Da Silva as Dr. Benjamin Franklin. The actor, who played movie villains for years, manages to jabber not only Franklin’s wit but also his firm thought in the unusual accelerate of “Americans.” Ken Howard plays Thomas Jefferson and joins with Adams and Franklin in the show’s two cutest numbers, “But, Mr. Adams” and “The Egg.” I have never cottoned “The Lees of Conventional Virginia,” the song sung by Richard Henry Lee (Ron Holgate) and where every lyric line ends with “LY,” but at the other waste of the spectrum is the chilling “Molasses to Rum to Slaves,” the song about the Triangle Trade sung by South Carolina’s Edward Rutledge (John Cullum) . The ensemble cast brings the Second Continental Congress alive, with Roy Poole as Stephen Hopkins, David Ford as John Hancock and William Hansen as Caesar Rodney standing out. Most of the cast members were in the Tony Award winning fresh Broadway cast, although Blythe Danner replaces Betty Buckley as Martha Jefferson (“He Plays the Violin”) .
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Peter Stone’s book is remarkably legal in relating the historical events; the biggest error a historian would point to is that John Dickinson (Donald Anger), did not expose up the day of the crucial vote so that Pennsylvania would not end Independence. But Broadway and Hollywood must be allowed to form things more dramatic. What makes “1776″ so amazing is how it teaches history while being so arresting. The opening of the film, where the tirade by Mr. Adams against the do nothing Continental Congress is interrupted by the collective Founding Fathers jumping up and singing “Sit Down, John,” sets the tone and Peter H. Hunt’s film delivers throughout. The show’s best moment comes in “Is Anybody There? ” when John Adams, all alone in the calm chamber, dreams of the pomp and pageantry of a free America.
I also have the laserdisc version, which runs 176 minutes and includes 35 minutes of material originally lop from the film, including the song “Chilly, Considerate Men” and alternative shots in several sequences. While the quality of the additional material is in very sunless shape, fans of “1776″ will retract what they can pick up. Hopefully the complete film can be restored before we earn to the DVD version (hint, hint, hint) . Granted, the thought of a musical about the Declaration of Independence seems bizarre; I once blew off a chance to gape “1776″ on stage because I belief the conception was expressionless. But this is a splendid musical that makes the time and issues near alive, so that even opinion we obviously know the outcome, we are enthralled because it looks like Mr. Adams will never fetch his Declaration adopted. If you are looking for a film to study each 4th of July, “1776″ is the one.
First, let me say that I’m not a mammoth fan of movie musicals. However, I’ve always made an exception for 1776. I assure it’s my abiding interest in history, and in the celebrated presentation of history, that keeps me coming encourage to this film. For the uninitiated, 1776 is the epic of the signing of the Declaration of Independence, and was first presented on Broadway in the gradual 1960s. Space in Philadelphia in June and early July of 1776, the action centers around John Adams’s attempt to catch a reluctant Continental Congress to snarl the 13 colonies independent of Spacious Britain. Adams, and his allies (including Ben Franklin and Thomas Jefferson), is opposed at every step by the conservatives in Congress, led by John Dickinson of Pennsylvania. Although we know the ending, it is to scriptwriter Peter Stone’s credit that we realize things may have turned out rather differently.
My first recorded version of this movie was taped off of a local television site that had drastically edited it for length and dispute. When I finally got around to buying the VHS version of 1776, I was amazed at what had been left out, particularly when it came to the earthier dialogue. Imagine my reaction to the original DVD director’s slice edition of this musical; it was like watching a completely fresh movie. Bridging scenes that had been edited out now provide a nearly seamless fable stagger, and the musical number “Frosty, Considerate Men” has been restored, providing for greater balance between the conservatives and radicals in Congress.
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The cast, a number of whom reprise their roles from the Broadway production, is nearly flawless. William Daniels IS John Adams, hard-headed, driven, passionate, “detestable and disliked”. Howard da Silva is equally effective as Benjamin Franklin, elder statesman and earthy man-of-the-world, while the rest of the actors do very well by their characters. Of necessity, the film’s emphasis is on Congress, and therefore on the male of the species; women are petite to two roles–Martha Jefferson, played by Blythe Danner, and Abigail Adams, played by Virginia Vestoff. Of Danner’s role, there is slight to say beyond the fact that the actress is a brilliant hide presence. Vestoff, on the other hand, has a rather more colossal role as John Adams’s wife, confidant, and sounding board. The film effectively portrays the correspondence between John and Abigail, a partnership that was, in many ways, powerful in American history.
Director Peter Hunt keeps things spirited along at a engaging slither, propelled by the music of Sherman Edwards, who also wrote the lyrics. It’s hard to recall a popular song, but two stand out in my mind–the chilling “Molasses to Rum to Slaves” and the poignant “Mamma, Gape Gripping”. The ancient underlines the flawed nature of the American Experiment–that a modern nation established on the principle that “all men are created equal” would also maintain hundreds of thousands of people in chains. The latter song brings home the fact that while Congress engages in endless debates, men (and boys) are dying on the field of battle.
I could dwell at some length on the historical inaccuracies embodied in this movie–the character of Deem Wilson, for one, and that of Richard Henry Lee, for another. However, purism aside, what 1776 makes positive is honest what a stop speed thing independence really was, that there was, indeed, a principal proportion of Americans (and their representatives) who wished to remain accurate to the British crown. Better yet, the Founding Fathers are portrayed mot as marble men, but as the passionate, flawed, flesh-and-blood individuals they were.
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