(500) Days of Summer Streaming
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(500) Days of Summer Streaming.
Movie Title: (500) Days of Summer (500) Days of Summer is available for streaming or downloading. |
“(500) Days of Summer” is a wonderfully refreshing experience, a romantic comedy that doesn’t follow the rules of a romantic comedy. It’s inventive, quick-witted, and absorbing, a myth of the dualities a young man lives with on a daily basis. On the one hand, there’s the duality between falling in savor and believing that appreciate doesn’t exist; Tom (Joseph Gordon-Levitt) grew up believing in fate bringing soul mates together whereas Summer (Zooey Deschanel) grew up not believing in great of anything, least of all lasting relationships. On the other hand, there’s the duality between what one would like to happen and what actually does happen; we often go through life with expectations, even though we know deep down that most will never be met. Tom is in a tug-of-war between his romantic fantasies and the reality that Summer doesn’t acquire in honest admire.
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Levitt’s performance is a revelation. He plays Tom with sincerity. Tom is approachable and safe natured, highly confident yet not so above-it-all that he can’t be desperate and dejected at times. He writes greeting cards for a living but has always dreamed of becoming an architect, and he often finds inspiration from the Los Angeles skyscrapers that surround him. His record unfolds in distinguished the same device a memory does, with fragments that pop up all out of sequence until the reality of those 500 days become determined. Some may be confused by this, but preserve in mind that memory and chronological order never go hand in hand. This is especially honest when reflecting on a relationship. Tom continuously thinks support trying to compose sense of it all, only to kill up considering the possibility that Summer was apt all along.
Deschanel, who seemed so awkward in films like “Yes Man” and “The Happening,” here is perfectly cast. Summer is charming, fun, and sweet, but she’s also mysterious, distant, and casual about life. She dates Tom and even makes esteem to him, yet she will never peruse him as anything more than a friend. She’s with him not because she’s in love–she’s fair having fun while living in the moment. It’s about all she can do given the fact that she can’t appreciate anything, place for the length of her hair and the fact that she can slice it off without feeling anything. There are a few consume moments, however, when she connects with Tom at a more personal level, titillating him into her artsy apartment and eventually opening up about past experiences. This makes Tom feel appreciated, as he believes, perhaps correctly, that she doesn’t go this far with too many people.
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By the slay of the film, Tom feels like someone we’ve gotten to know. Summer, on the other hand, remains enigmatic, underscoring the uncertainty engrained in any kind of relationship. There are times when Tom thinks he has her figured out. There are other times when it seems as if they’ve never even met. Loving relationships are based on compromises, and while Tom would be willing to invent a few, Summer most definitely would not. She does what she wants when she wants it. This is admirable, but when matters of the heart are interested, the line does need to be drawn somewhere.
Tom’s emotional roller coaster go occasionally gets the visual treatment. In one scene, he becomes the star of a musical number featuring dancers and a cartoon bluebird. In another scene, he imagines himself as characters in dusky and white European art house films by Ingmar Bergman and Federico Fellini. The single most creative shot has him standing in the middle of the street while the buildings transform into an architectural sketch, worthy like the one he drew on Summer’s arm. Director Marc Webb treats these scenes not as showcases of special effects but as special moments of heightened reality, which is fitting given the battle waged between what Tom desires and what he actually gets. The most determined interpretation of this theme is a split-screen image tedious in the film, one side marked “Expectations,” the other side marked “Reality.”
These extra touches effect this movie luscious, but its Gordon and Deschanel that accomplish it a joy to see. They have chemistry. You occupy in them as genuine people and not merely as characters. They exhibit impartial how talented they are as actors, although credit must also be given to Webb’s direction and the screenplay by Scott Neustadter and Michael H. Weber. They breathe life into “(500) Days of Summer,” a film we’re told apt off the bat is not a savor yarn. Nor should it be; we’ve seen treasure stories before, and while they more or less work as absorbing distractions, rarely do they provide insight or even traces of plausibility. This movie is more ambitious than that. It aims to vow a legend without resorting to cheap gimmicks like cliché dialogue or contrived plotlines. The kill result is a account that’s often humorous, often thoughtful, and always compelling.
Tom Hansen (Joseph Gordon-Levitt) falls head over heels for Summer Finch (Zooey Deschauel) the recent girl working at his office. The anecdote of their relationship is told in non-chronological order, including a few highly modern scenes such as Tom turning the streets of LA into a chorus line following his first night with Summer. You know from the commence that Tom and Summer are flow to split up. But the movie comes together nicely in the extinguish, showing that when one yarn ends another is slouch to launch.
One thing I really like about this movie is that’s it’s the guy who is the hopeless romantic and the girl who remains emotionally distant. This disagreement with the usual male-female stereotypes is refreshing and something I experienced myself when I was a young man. The movie is also quite nuanced and contains numerous references to classic literature, classic films and classic rock. In other words, it’s device smarter than the usual Hollywood romantic comedy. It’s also more comical and had me laughing out loud on several occassions. I do have to admit that the non-chronological sequencing of the 500 days left me dizzy at times and how considerable you like this movie will depend, to some extent, on how mighty you can identify with the main characters. But this is a well made movie and one friendly of seeing.
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